Light · Legacy · Love
Light · Legacy · Love
Our Story
Mihira isn't just a name — it's a story carried forward through generations of love and storytelling.
The Meaning Behind the Name
Mihira was the pen name of our Founder's father — a writer who believed that stories, told with honesty, could outlive time. Years later, his son carried that belief forward — not with words, but with light.
And that's how Mihira Studios was born — as a continuation of a legacy, and a tribute to everything worth remembering. Every family that steps into Mihira becomes part of that lineage of love, laughter, and light.
The Journey
Began the journey of dedicated family portrait photography in Hyderabad — one family at a time.
Served as Program Head during the inception of the Indian Photo Festival — shaping photography culture nationally.
Received the prestigious National Geographic Channel Moment Award — the highest recognition of his photographic vision.
Led the landmark 1000 Portraits Project — capturing the spirit of entire cities in a single extraordinary day.
Work exhibited at Alliance Française (France), Lalit Kala Akademi, and Chobimela — Dhaka's premier photography festival.
Continues crafting heirloom-worthy portraits — one family per day, every day — with the same passion as day one.
What We Believe
Sure, lighting and cameras matter, but real emotion comes from what's beyond the lens — sincerity. For us, people will always be the answer.
Every portrait is handcrafted — not templated. We look for the frame that no filter, preset, or formula could ever anticipate.
Complete attention. No rush. No compromise. We give every family the day — because your story is worth every minute.
Recognition
2012 — For extraordinary vision in capturing the authentic pulse of life
Work showcased at the prestigious cultural institution in France
Exhibited at India's premier national academy of fine arts
South Asia's premier photography festival — international recognition
Played a founding role in shaping India's photography community
Taught photography to the visually impaired — proving seeing is about feeling